301 Bram Kempers Two Female Apostolic Mystics: Catherine of Siena and Madame Jeanne Guyon. 283 Giselle de Nie The Fame of Fake, Dionysius the Areopagite: Fabrication, Falsification, and the ‘Cloud of Unknowing’. The christian middle ages Tangere autem corde, hoc est credere: Augustine on ‘Touching’ the Numinous. 239 Paola Marrati Fast Forward, or: The Theologico-Political Event in Quick Motion (Miracles, Media, and Multitudes in St. 225 Asja Szafraniec On the Significance of Disagreement: Stanley Cavell and Ordinary Language Philosophy. 195 Willemien Otten Between Pedagogy and Democracy: On Canons and Aversion to Conformity in Ordinary Language Philosophy. ![]() 175 Leen Spruit Does the Canon Need Converting? A Meditation on Augustine’s Soliloquies, Eriugena’s Periphyseon, and the Dialogue with the Religious Past. ![]() 165 Irene Zwiep Censorship and Canon: A Note on Some Medieval Works and Authors. 147 Peter Raedts Scholarship of Literature and Life: Leopold Zunz and the Invention of Jewish Culture. 127 Rokus de Groot The Canonisation of the Medieval Past: England and the Continent Compared. 119 Piet de Rooy Music at the Limits: Edward Said’s Musical Elaborations. The Search for the Canon and the Problem of Body and Soul. 83 Alastair Hamilton Labouring in Reason’s Vineyard: Voltaire and the Allegory of Enlightenment. 65 Joke Spaans From East to West: Jansenists, Orientalists, and the Eucharistic Controversy. 55 Anselm Haverkamp Playing with History: The Satirical Portrayal of the Medieval Papacy on an Eighteenth-Century Deck of Playing Cards. 39 Ernst van den Hemel Christ’s Case and John Donne, “Seeing through his wounds”: The Stigma of Martyrdom Transfigured. 17 Frans-Willem Korsten History and the Vertical Canon: Calvin’s Institutes and Beckett. 3 Peter Cramer Moments of Indecision, Sovereign Possibilities: Notes on the Tableau Vivant. Literary imagination “Movesi un vecchierel canuto et bianco…”: Notes on a Sonnet of Petrarch. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Koninklijke Brill NV incorporates the imprints BRILL, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. ![]() 188) Includes bibliographical references and index. (Brill’s studies in intellectual history v. Library of Congress Cataloging-in-Publication data How the west was won : essays on the literary imagination, the canon, and the Christian middle ages for Burcht Pranger / edited by Willemien Otten, Arjo Vanderjagt, Hent de Vries. On the cover: “Citing Gothic”, photograph by Arjo Vanderjagt of the Rothman Winter Garden, Chicago Booth School of Business, University of Chicago, Chicago, USA. Willemien Otten Arjo Vanderjagt Hent de Vries How the West Was Won Essays on Literary Imagination, the Canon, and the Christian Middle Ages for Burcht Pranger Mugnai, Scuola Normale Superiore, Pisa W. Israel, Institute for Advanced Study, Princeton M. Celenza, Johns Hopkins University, Baltimore M. Vanderjagt, University of Groningen Editorial BoardĬ.S.
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